Light Sweet Crude (Second State: February I [No. 24]), 1996

Light Sweet Crude (Second State: February I [No. 24]), 1996

process: resist-ground etching and engraving
plate: copper 18 x 15 inches (45.7 x 38.1 cm) 
paper: Somerset Buff (see notes) 
edition: 175
catalog number: 118
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Points of Departure II: Nijinsky Variations, 1996

Points of Departure II: Nijinsky Variations, 1996

process: resist-ground etching and engraving
plate: copper 24 x 38 inches (61 x 96.5 cm) 
paper: BFK Rives (see notes) 
edition: 175
catalog number: 117
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Artist Notes

Points of Departure I: Mary's Turn, 1994

Points of Departure I: Mary's Turn, 1994

process: resist-ground etching and engraving
plate: copper 18 x 28 inches (45.7 x 71.1 cm) 
paper: BFK Rives (see notes) 
edition: 175
catalog number: 116
image info: Black & white, taken from 600dpi scan of 8x10 transparency
first titled: Mary's Turn I: Visiting Degas

Artist Notes

Under Greylock (Second State: February II [No. 25]), 1994

Under Greylock (Second State: February II [No. 25]), 1994

process: direct-gravure etching and engraving
plate: copper 18 x 15 inches (45.7 x 38.1 cm) 
edition: no published edition
catalog number: 115
image info: Black & white, taken from 600dpi scan of 8x10 transparency. Print made for special Szoke edition of The Primacy of Touch: The drawings of Peter Milton, published by Hudson Hills Press, 1993. Print published by John Szoke Gallery.

Garden with Henry, 1993

Garden with Henry, 1993

process: resist-ground etching and engraving
plate: copper 9.5 x 12 inches (24.1 x 30.5 cm) 
paper: Rives Heavyweight Buff (see notes) 
edition: 250
catalog number: 114
image info: Black & white, taken from 2700dpi scan of 35mm slide
Special print made for The Aspern Papers by Henry James, a portfolio of 18 reproductions
of drawings. Published by David R. Godine, Publisher, Boston

Interiors VII: The Train from Munich, 1991

Interiors VII: The Train from Munich, 1991

process: resist-ground etching and engraving
plate: copper 20 x 36 inches (50.8 x 91.4 cm) 
paper: BFK Rives (see notes) 
edition: 175
catalog number: 113
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Artist Notes

Interiors VI: Soundings, 1989

Interiors VI: Soundings, 1989

process: resist-ground etching and engraving
plate: copper 30 x 24 inches (76.2 x 61 cm) 
paper: BFK Rives, Somerset Buff (see notes) 
edition: 175
catalog number: 112
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Interiors V: Water Music, 1988

Interiors V: Water Music, 1988

process: resist-ground etching and engraving
plate: copper 30 x 24 inches (76.2 x 61 cm) 
paper: Somerset Buff, BFK Rives (see notes) 
edition: 175
catalog number: 111
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Interiors IV: Hotel Paradise Café, 1987

Interiors IV: Hotel Paradise Café, 1987

process: resist-ground etching and engraving
plate: copper 24 x 36 inches (61 x 91.4 cm) 
paper: BFK Rives (see notes) 
edition: 175
catalog number: 110
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Interiors III: Time with Celia, 1986

Interiors III: Time with Celia, 1986

process: resist-ground etching and engraving
plate: copper 30 x 24 inches (76.2 x 61 cm) 
paper: BFK Rives, Somerset Buff (see notes) 
edition: 175
catalog number: 109
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Interiors II: Stolen Moments, 1986

Interiors II: Stolen Moments, 1986

process: resist-ground etching and engraving
plate: copper 30 x 24 inches (76.2 x 61 cm) 
paper: BFK Rives, Somerset Buff (see notes) 
edition: 175
catalog number: 108
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Interiors I: Family Reunion, 1984

Interiors I: Family Reunion, 1984

process: resist-ground etching and engraving
plate: copper 20 x 36 inches (50.8 x 91.4 cm) 
paper: BFK Rives (see notes) 
edition: 175
catalog number: 107
image info: Black & white, taken from 600dpi scan of 8x10 transparency

Eros Errant IV: Friday's Children, 1982

Eros Errant IV: Friday's Children, 1982

process: resist-ground etching and engraving
plate: copper 11 x 9.5 inches (27.9 x 24.1 cm) 
paper: BFK Rives, Somerset Buff (see notes) 
edition: 125
catalog number: 106
image info: Color, taken from 300dpi digital photo of print

Eros Errant III: Butterfly, 1982

Eros Errant III: Butterfly, 1982

process: resist-ground etching and engraving
plate: copper 9.5 x 11 inches (24.1 x 27.9 cm) 
paper: BFK Rives, Somerset Buff (see notes) 
edition: 125
catalog number: 105
image info: Color, taken from 300dpi digital photo of print

Eros Errant II: Cotillion, 1982

Eros Errant II: Cotillion, 1982

process: esist-ground etching and engraving
plate: copper 9.5 x 11 inches (24.1 x 27.9 cm) 
paper: BFK Rives, Somerset Buff (see notes) 
edition: 125
catalog number: 104
image info: Color, taken from 300dpi digital photo of print

Eros Errant I: Europa, 1982

Eros Errant I: Europa, 1982

process: resist-ground etching and engraving
plate: copper 9.5 x 11 inches (24.1 x 27.9 cm) 
paper: BFK Rives, Somerset Buff (see notes) 
edition: 125
catalog number: 103
image info: Color, taken from 300dpi digital photo of print