Selected Bibliography

Catalogues Raisonnees:

Peter Milton: Complete Prints 1960-1996, introduction by Robert Flynn Johnson, text by Peter Milton.  San Francisco: Chronicle Books, 1996.

Peter Milton: Complete Etchings 1960—1976, edited by Kneeland McNulty. Boston: Impressions Workshop, 1977.

The Primacy of Touch: The Drawings of Peter Milton, Introduction by Rosellen Brown, text by Peter Milton. New York: Hudson Hills Press, 1993.


Livres d‘Artistes:

 

The Jolly Corner, by Henry James. Baltimore: Aquarius Press, 1971. The Aspern Papers, by Henry James. Boston: David R. Godine, 1993.


Exhibition Catalogues:

Illustrated catalogue published for the circulating exhibition organized by the International Exhibitions Foundation, Washington, DC, 1977—1981, edited by Kneeland McNulty.

Peter Milton: Drawing Towards Etching. Brooklyn Museum, edited by Gene Baro, 1980.

Peter Milton: Prints and Drawings. Exhibition organized by the Hood Museum and Thorne-Sagendorph Gallery, edited by Malcolm Cochran, 1982.

Peter Milton: Prints and Drawings (exhibition organized by the Szoke Gallery, New York, NY), Introduction by Theodore F. G. Wolff, 1984.

Retrospective Exhibition, Prints, Plates, LED Displays, The Old Print Shop, New York, NY. 

Etching Enigmas, Johns Hopkins University Evergreen Museum, Baltimore, MD


Baro, Gene. “Peter Milton.” Drawing: The International Review (July 1980).

Case, W. D. “Jolly Corner...” in Arts Magazine (September 1972).

Craig, Jr., William. “A Pleasure of Illusions: The Art and Politics of Peter Milton.” Spectator (February 1991).

Dinnage, Rosemary. “The Texture of Time and Space.” Times Literary Supplement (8 February 1980).

Ewins, Rod. “Workshop with Peter Milton.” Imprint [Publication of Print Council of Australia] (June 1982).

Finkel, Jori. “Peter Milton: Selected Prints, 1960-1997. De Young Memorial Museum, San Francisco.” On Paper (May-June 1998).

Finkelstein, Irving L. “Julia Passing: The World of Peter Milton.” Artist’s Proof Annual of Prints and Printmaking (1971).

Finkelstein, Irving L., “Peter Milton Revisited: A Decade of “Interior” Print. Extensive analysis, 30 pp., Not Published.

Frankenstein, Alfred. “A Remarkable Series of Milton Prints.” San Francisco Chronicle (20 May 1978).

Goldman, Judith. “Exploring the Possibilities of the Print Medium.” Art News (September 1973).

Halasz, Pin. “The Metaphysical Games of Peter Milton.” Art News (1974).

Hamm, Christine. “Keep Looking – There’s More.” The Concord Monitor (April 17, 1997).

Hays, Kim. “Etched in Memory.” Boston Phoenix (20 January 1981).

Heffernan, James A.W., "Peter Milton's Turn: An American Printmaker Marks the End of the Millennium." Word & Image Vol. 16, No. 1 (April-June 2000): 177-96. [Note: While considering some of Peter Milton's earlier work, particularly "Daylilies," this article chiefly examines the four prints of his POINTS OF DEPARTURE series.]

Kelley, Gail. “Closer Look.” Boston Sunday Globe. (May 4, 1997).

Kessler, Pamela. “Peter Milton’s Paradise Engraved” Washington Post (9 October 1987).

Landi, Ann. “Black and White and Layered All Over,” Art News (May 1997).

Linnane, Fergus. “Train Keeps a Date with Destiny.” European Elan (1-3 November 1991).

Louch, Roberta. “Peter Milton in Conversation.” Visual Dialog (Summer 1979).

Melville, Robert. “Gallery: The Feeling of Actuality.” Architectural Review [Westminster, England] (August 1971).

Parrill, William. “Peter Milton, Henry James and ‘The Jolly Corner.”’ Innis­free (1977). (Reprinted in New Boston Review, 1977).

Pepich, Bruce “Peter Milton.” Art Gallery International (May—June 1989).

Richards, Paul. “Milton, the Magician...” Washington Post (3 April 1982).

Raymond, Carol. “An Interview with Peter Milton.” Images (Winter 95/96).

Ross, John, and Clare Romano. “Peter Milton’s Procedure.” in The Complete Printmaker (1972).

Shapiro, Harriet. “All Realism Is Visionary” Intellectual Digest (Nov. 1972).

Simmons, Rosemary. “Graphics: Peter Milton.” Arts Review [London] (15 February 1980).

Tarshis, Jerome. “The Dynamics of Recollection.” Christian Science Monitor (15 January 1979).

Wolff, Theodore. “Milton’s Mysterious World of Etching.” Christian Science Monitor (31 March 1980).

“The Many Masks of Modern Art,” Christian Science Monitor (2 March 1982).

“What Links Dürer and Milton.” In The Many Masks of Modern Art. Boston: Christian Science Publishing Society, 1989.

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